From the Little Krishna collection
Water color painting on cotton canvas with pure gold

Please choose a size option:  US $23 -- 3 x 4 in US $34 -- 5 x 7 in US $46 -- 7 x 9 in US $57 -- 9 x 12 in US $69 -- 12 x 15 in US $80 -- 15 x 18 in US $98 -- 18 x 24 in US $115 -- 24 x 36 in US $132 -- 30 x 42 in US $149 -- 36 x 48 in US $172 -- 42 x 60 in US $195 -- 48 x 72 in

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In Sanskrit murli means flute. When Krishna, sweetness and grace itself, played the flute, its impact was bewitching. Indeed, his flute, with its obvious phallic connotations, is but an extension of his beauty. The Bhagwata Purana says that when the strains of his flute wafted through Vrindavan, all things became intoxicated with passion. Not even the wives of gods could resist its call. It was as if all of creation for a moment stopped to listen rapt in attention. As he played, clouds bent low to come closer to him, plants and creepers swayed in silent salute, the reeds from which his flute was made wept tears of joy and rivers slowed their pace in involuntary obeisance. Vallabhacharaya (1479-1531), has categorized the sound of Krishna's flute into five kinds: When the lord plays with his flute to the left, passion awakes in women; when his face is to the right, desire surges in both men and women; when his face points upwards, Kama (physical desire) infuses the gods; and when downwards, animals and birds become its prey; and when he plays straight ahead, even insentient things cannot insulate themselves from its effect. Krishna was physically irresistibly appealing. Ancient texts dwell at length on his exceptionally alluring countenance: a blue complexion soft like the monsoon cloud, shining locks of black hair framing a beautifully chiselled face, large lotus like eyes, wild -flower garlands around his neck, a yellow garment (pitambara) draped around his body, a crown of peacock feathers on his head, and a smile playing on his lips, it is in this manner that he is faithfully represented since the ancient times to the modern.