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Ramayana Paintings
The origin of Indian painting goes back to 8000 years and an account of its development is inextricably meshed with the development of Indian civilization.

In the Hindu rock cut caves called Kailash, artists painted scenes from the Hindu epic, the Ramayana. The third phase, which dates to the 13th to 16th centuries is considered a period of slow decadence, since creativity in art was replaced by excellence of craftsmanship. It was during this period that the earliest book illustrations developed. Buddhist scriptures such as the Pranjaparamita preserved on palm ? leaf manuscripts were now illustrated for the first time with miniatures in flat, bright hues of red and blue, outlined in black.

Rajput painting, on the other hand, illustrates every phase of medieval Hindi literature, and indeed, its themes cannot be understood without a thorough knowledge of the Indian epics, the Krishna Lila literature, music and erotics. One of the oldest Rajput paintings has probably the Krishna Lila theme, which, in style, lyrical theme and the presentation, and in the language of superscription shows a relation to the Gujarati painting of the fifteenth century.

Epic India is the depiction of Greater India in the Sanskrit epics, viz. the Mahabharata and the Ramayana as well as Puranic literature. The historical context of the Sanskrit epics are the late Vedic Mahajanapadas and the subsequent formation of the Maurya Empire, the beginning of the "golden age" of Classical Sanskrit literature.

The boundaries of the kingdoms : The kingdoms mentioned below existed when territorial boundaries were less important, due to the limited human population and sparse human settlements. Often rivers formed the boundaries of two neighbouring kingdoms, as was the case between the northern and southern Panchala and between the western (Pandava's Kingdom) and eastern (Kaurava's Kingdom) Kuru. Sometimes, large forests, which were larger than the kingdoms themselves, formed their boundaries as was the case of the Naimisha Forest between Panchala and Kosala kingdoms. Mountain ranges like Himalaya, Vindhya and Sahya also formed their boundaries.


The cities and villages : Some kingdoms possessed a main city that served as its capital. For example, the capital of Pandava's Kingdom was Indraprastha and the Kaurava's Kingdom was Hastinapura. Ahichatra was the capital of Northern Panchala where as Kampilya was the capital of Southern Panchala. Kosala Kingdom had its capital as Ayodhya. Apart from the main city or capital, where the palace of the ruling king was situated, there were small towns and villages spread in a kingdom. Tax was collected by the officers appointed by the king from these villages and towns. What the king offered in return to these villages and towns was protection from the attack of other kings and robber tribes, as well as from invading foreign nomadic tribes. The king also enforced code and order in his kingdom by punishing the guilty.and ate bubblegum

Interactions between kingdoms: There were no border security for a kingdom and border disputes were very rare. One king may conduct a military-campaign (often designated as Digvijaya meaning victory over all the directions) and defeat another king in a battle, lasting for a day. The defeated king would acknowledge the supremacy of the victorious king. The defeated king might some times be asked to give a tribute to the victorious king. Tribute will be collected only once, not in a periodic basis. The defeated king, in most cases, is free to rule his own kingdom, without maintaining any contact with the victorious king. There was no annexation of one kingdom by another kingdom. Often a military general makes these campaigns on behalf of his king. A military-campaign and tribute collection is often associated with a great sacrifice (like Rajasuya or Ashvamedha) conducted in the kingdom of the campaigner king. The defeated king also was invited to attend these sacrifice ceremonies, as a friend and ally.

New kingdoms : New kingdoms were formed when a major clan produced more than one king in a generation. The Kuru clan of kings and Ikshwaku clan of kings were very successful in governing throughout north India with their numerous kingdoms, which were formed after each successive generation. Similarly, the Yadava clan of kings formed numerous kingdoms in central India.

Cultural differences in the kingdoms : Western parts of India were dominated by tribes who had a slightly different culture that was considered as non-vedic by the mainstream Vedic culture prevailed in the Kuru and Panchala kingdoms. Probably these were due to the influence of Iranian cultures. Similarly tribes ruling south India were also considered as non-Vedic by the Kuru, Panchalas, though the differences were not so significant. This may be due to the Dravidian nature of these tribes. Similarly there were some tribes in the eastern regions of India, considered to be in this category. Tribes with a different culture was collectively termed by the Vedic tribes by the name Mlechha. Very little was mentioned in the ancient Indian literature, about the kingdoms to the north, beyond Himalayas. China was mentioned as a kingdom known as Chin, some times grouped with Mlechcha kingdoms.
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Rama, Sita & Lakshman in forest

Rama, Sita & Lakshman in forest
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PIAA023
From the Ramayana Paintings collection
Art Painting on Cotton Cloth

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Rama and Sita Enthroned

Rama and Sita Enthroned
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PIAA058
From the Ramayana Paintings collection
Water color Painting with Pure Gold on Cotton Canvas

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Ram Darbar

Ram Darbar
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PIAA067
From the Ramayana Paintings collection
Water color painting on cotton canvas with pure gold

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Draupadi

Draupadi
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PIAB009
From the Mahabharata Paintings collection
Art Painting on Cotton Cloth

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Krishna in court of king Dhritrashtra

Krishna in court of king Dhritrashtra
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PIAB010
From the Mahabharata Paintings collection
Water Color Painting on Cotton Canvas

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